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McAuley,Stewart and Harwood are important figures in Australian literature, not just fortheir individual contributions to Australian poetry but for their construction ofenduring literary figures. This is a particularlyinteresting theory when it is applied to someone like Henri Beyle, Stendal, HenriBrulard or Mr Crocodile, or any of the one hundred and seventy one pseudonymsor aliases he adopted. Their dossier on Ern Malley is impressive.

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Academic journal article Australian Literary Studies. IN in Tasmania, an unknown poet called Gwen Harwood started a guerilla war on incompetent literary editors by sending out her poems under male pseudonyms. She intensified the hoax when, inshe sent to the Bulletin Walter Lehmann's pair of sonnets on the medieval lovers Abelard and Eloisa.

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Simon West. The page three article began:. A Tasmanian poet-housewife has become the centre of a literary storm because of two sonnets she sent to a magazine as a hoax.

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Her two acrostic sonnets, written under one of the male pseudonyms that she used because of her sense of how poetry by women was undervalued in Australia, was published in the Bulletin. Now she has edited one of the most pungent and engrossing collections of letters by any Australian writer, the mildly titled Idle Talk: Letters — Many were on the back of what Harwood called Sappho cards, illustrations cut from Victorian and Edwardian books and magazines, a number of them reproduced here, with often mischievous captions.

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Gwen Harwood is regarded as one of Australia's finest poets, publishing over works, including poems and 13 librettos. Her work is commonly studied in schools and university courses. Gwen Harwood was the mother of the author John Harwood.

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The Violets It is dusk, and cold. I kneel to pick Frail melancholy flowers among Ashes and loam. The melting west Is striped like ice-cream.

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Gwen Harwood, remembered as one of the great Australian poets of the generation that included A. Gregory Kratzmann, who edited a massive collection of her correspondence fifteen years ago, described her output as being of Tolstoyan proportions, and reckoned that she often wrote two or three long letters in a day. His page selection A Steady Storm of Correspondence overlapped only slightly with an earlier collection written exclusively to Tony Riddell, called Blessed City and edited by Alison Hoddinott, which covered only her experience of the war years in Brisbane.

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Black Inc. Here is a new selection from that marvellously ardent poet, Gwen Harwood, a crafty voice that was heard from both Brisbane and Tasmania. In welcoming it, let me declare that Greg Kratzmann and I have a Harwood selection in print, but our book bounces back here from Manchester and must, as a result, be rather more expensive.

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Friday, August 10, Essay is the play of speculation. The test of the essay is whether it opens a space for the reader, rather than closing one.

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I first met Gwen Harwood in college -- she very kindly read my scribblings of the time and gave wonderful feedback to my work. We corresponded for a short while, and I got to ask her 'what is poetry? I think I'm still finding that out.

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